As Rocky Point Road continues on to the bridge over the Georges River, a side road leads off to the left, following the shoreline of the bay, into the suburb of Sans Souci. Red-brick apartment buildings give way to vacant lots with sandy soil showing through underneath the grass. Then a row of houses begins in the contemporary mansion/fortress style, monoliths painted grey or beige.
A few blocks along, on a corner, there’s a different kind of house, one that stands out in a blaze of colour. The roof of the fibro cottage here has the tiles painted yellow, blue and green, so it looks like a patchwork or a crochet blanket. It’s bright as a toy among the serious houses that surround it.
This house has long been a San Souci landmark. Local news reports have told the story of its colourful roof, painted by John Hall as a tribute to his wife Berta, who died in 1997. The tiles, he said, could “be seen from heaven so Berta can look down and see how much I love her”.
Over the last few weeks, the house and this story have been in the news again, for now John has passed away and the house is for sale. A placard for the auction is pegged into the ground out the front, beside the letterbox and the sign with the hand-painted legend, “Our Berta’s Corner”, at the corner of the fence. The house is vacant, empty, its curtains pulled back from the windows. An open eye, it watches over the flat waters of the bay.
The notice for the auction stops people in their tracks. Walkers on the path pause to read it. Drivers slow their cars as they pass by. The impending sale has made the house an available place for people to sow their dreams. I look past the real estate sign to the geraniums and agapanthus planted in the garden, to the lucky horseshoe nailed to the carport, and the wooden weathervane on top of the backyard granny-flat, in the shape of a duck, the house number, 22, painted on its tail. Even without knowing the story of John and Berta Hall, its details are of a house that has been lived in with love.
I turn my attention back to the real estate sign, which has as its image an aerial photograph of the corner, with a red rectangle drawn around the lot, to show potential purchasers the size of the land. The effect is surely unintended, but it also shows what John Hall had for decades imagined, his Berta looking down from above, seeing the patchwork roof, and knowing that she was loved and remembered.
Thanks to Andrew C. for sending the link to the newspaper story.