I’ve dropped a few hints here and there, but with its release date coming soon, it’s time to announce that Mirror Sydney will be released as a book in October! Published by Giramondo, it’s an unconventional city atlas: a collection of essays and hand-drawn maps, based on this blog, telling some of the stories of Sydney’s lesser-known, hidden, secret and strange places and histories, charting the city’s atsmospheres, and celebrating its recent past.
There will be a launch in October, as well as some tours and other fun things, which I’ll announce as the time draws near. For now, I’ll run through some of the cover stars.
- Hotel Westend
The mustard expanse of the Hotel Westend’s side wall, with its promise of 100 suites, is like a sunrise amid the surrounding towers. The tall, skinny building with the tall skinny wild-west-style sign seems a portal into a past era of city hotels, the kind that have steak houses on the premises and boast wall-to-wall carpet as a special feature.
The Westend is currently a backpackers, but not for much longer: it was recently sold and is destined for refurbishment, including unfortunately “replacing the letters on the sign to reflect the new name”. This new name seems to be “Ibis Budget Sydney Central“. If the Westend sign must go, I can only hope for its replacement to be an animated neon sign of an ibis dipping its long beak into a rubbish bin.
2. Kenilworth Witches’ House
On the high ridge at the end of Johnston Street are the witches’ houses, the row of Victorian-era mansions that were built in the 1880s, designed by architect John Young. Kenilworth is the tallest and most immediately striking of the houses for its tall, central spire (like a witches’ hat – hence the name) and imperious position. It once had a twin, an identical house next door, that was demolished in 1967 and replaced by a block of red-brick flats. But Kenilworth still has two other companions: to the other side are twin houses with spires on the side, built for John Young’s daughters.
Kenilworth is a fantasy house with its tower and gargoyles, seemingly plucked from a gothic fairytale and transplanted into the Sydney suburbs. It’s a house for dreaming about, wondering what it would be like to peer out its high windows. I still imagine I live in it every time I go past, with my pet raven and library with red velvet curtains and ladders against the bookshelves. All cities need these dream houses, places for wishes and desires to be planted.
3. Fibro Houses
At the opposite end of the spectrum to the gothic mansion are the fibro houses of the south western suburbs. Built in profusion after the second world war, these houses were quickly and easily assembled, and were a haven for many families who had moved from the overcrowded inner-city, or come to Australia as post-war migrants. Although many have been demolished to be replaced by houses twice their size, many still remain, especially around Bankstown and its surrounding suburbs.
These houses are bittersweet: their pastel colours and heart-shaped decorations belying the toxic material from which they were fabricated. They are a manifestation of 1950s and 60s suburban idealism, their neat proportions aspiring to a similarly neat life within their walls. They’re humble houses but proud ones, each customised with different colour paint, or different types of plants in the garden, or house numbers accompanied by silhouettes of horses and carriages. Their pale, thin walls give them an appearance of lightness, of malleability: Patrick White described them in Tree of Man as “brittle in moonlight, soluble in dreams”.
They are a type of house I know well, for I live in one very similar, and know its moods well. Fiercely hot in summer, icy in winter, the walls feel thin like they’re made of cardboard. Mid-afternoon, when all is still outside, I look out the window and imagine the street as it would have been when the house was built in 1960, and the past seems almost graspable, just under the skin of the present.
As part of this year’s Australian Heritage Festival, I’ll be presenting a talk and slideshow about St Peters called “Post Industrial Playground”. It’s on May 10th at St Peters library, and is free, but please register here if you’d like to come along. I’ll be talking about St Peters’ recent past, with a focus on alternative culture: punx picnics, St Peters in pop culture, and weird scenes from Sydney Park. Of which there are many.
**UPDATE: Thank you to everyone who entered and shared their lost and found Sydney stories. I’ve drawn the prize from my top hat and have a winner – congratulations to Kristina!**
On April 1st I’m hosting the Sydney Lost and Found bus tour with Sydney Living Museums, in conjunction with the exhibition Demolished Sydney. It’s a mystery tour that starts in the city and heads south into the suburbs, travelling through time and stories as we go.
The tour is sold out, but I have a ticket to giveaway! To enter, leave a comment with your favourite lost, or rediscovered place in Sydney. Next Tuesday, I’ll draw the prize (at random using the names in a hat method). Good luck!
Details of the tour are here.
I’ll be speaking about Sydney, writing, and the urban environment on three occasions in November.
First, for those interested in the more academic side of what I do, I’ll be presenting a paper on urban ruins, Parramatta Road and the Midnight Star theatre at a research seminar at Macquarie Uni on Wednesday November 11th. It’s on from 3-5pm in the Faculty of Arts building, Y3A, in the Drama Studio (downstairs, room 187).
On Thursday November 19th I’ll be at the NSW Writers’ Centre, discussing one of my favourite topics – Weird Sydney, along with Peter Doyle, Chris Mikul, and Michael Wayne. It’s on from 6:30 at Garry Owen House in Callan Park, Rozelle, and more details can be found here.
And on Sunday November 29th, I’ll be at the Wollongong Writers’ Festival, speaking on a panel about non-fiction place writing. It’s at 12:30pm at the Wollongong City Art Gallery, and more details can be found here.
This October I’ll be leading two Sydney tours as part of the Groundwork exhibition curated by the New Landscapes Institute. They’re based on my map of Sydney Mystery Structures that will be exhibited in Groundwork. The map features some of the city’s more perplexing and obscure landmarks, of which there are many to choose from – but I will reveal more closer to the time.
The first of the tours, on Saturday October 3rd, is a city mystery structures tour: a journey past the grandiose, the bizarre and the banal alternative landmarks of the city. The next weekend, on Sunday October 11th, is a tour of Annandale’s aqueducts and their mysterious path through the parks and back streets of the suburb.
See the city the Mirror Sydney way! I’d love you to join me, you can book at the links above. Or if an exhibition opening is more your style, Groundwork opens on October 1st at Gaffa Gallery.
On February 11th I’ll be speaking at Sydney’s oldest library, the Sydney Mechanics’ School of Arts at 280 Pitt Street. I’m the first speaker in the Writing Sydney series, hosted by Walter Mason, which will run throughout the year. I’ll be talking about some of my favourite Sydney places and stories, telling some of the tales behind the blog, and generally discussing all things curious about the city and suburbs.
The talk is free but you do need to book, which you can do at the event listing page on the Sydney Mechanic’s School of Arts website. I look forward to meeting some of you there, and the SMSA is an interesting place with a long history that’s well worth a visit.
For those who prefer the radiola, I also recently spoke with ABC radio about secret Sydney places, abandoned spaces, redevelopment, and exploring the suburbs. You can listen to the interview here.
New stories are coming soon, for now I wish you a happy 2015, dear readers. May your troubles be as the card below suggests.