Tales of Tempe TipPosted: May 24, 2017
If there’s one type of place I am commonly drawn to, it is places on the margins: otherwise ignored, or soon to disappear, or discarded. Sometimes these places are also literally on the margins, in the outer suburbs, or on the edge of the city.
The Salvation Army store in Tempe is both. It is literally on the edge of the city, at the very last patch of the suburban land before the outskirts of the airport begins. Inside the warehouse that is the store and sorting centre are the discarded objects of Sydney residents, an abundance of clothes and furniture and bric a brac. Sydney has plenty of op shops, but this is one is certainly the most famous, so well known that it has, with its nickname “Tempe Tip”, become a cultural reference point.
The first references to the op shop as Tempe Tip appear in newspapers in the 1960s. The name was taken from the rubbish dump next door to the Salvation Army depot, and soon Tempe Tip became synonymous with the op shop, rather than with its original identity. Some of the newspaper mentions are utilitarian, advising newlyweds with little money to visit the Tempe Tip in order to furnish their houses. It is also mentioned in lifestyle articles, describing how people gather in corners at parties to talk about Tempe tip and the secondhand furniture bargains they found there. It’s the place to go for props and costumes, too. In 1971 the visiting Zorba Song and Dance company bought 10000 plates to be broken on stage in what was described as the “uninhibited finale” to their performance.
The Tempe Tip is also something of a local slang term, used to denigrate the quality of goods or clothing. If something “looks like it came from the Tempe Tip”, for example, it is no doubt shabby and strange. It was also used to denote poor quality in general. In 1966 the Sydney Morning Herald reviewer of Bob Dylan’s “Highway 61 Revisited” declared that:
He has moved into a fuzzy world of songs which abound in personal fantasies. His voice has contracted to a mumble. His accompaniments are a scattered jumble which sounds as though they were recorded at the Tempe tip. We know that artists must be permitted to change their approach, but this is ridiculous.
My favourite articles about Tempe Tip describe the scene on Saturday morning, as people waited to be let inside the gates. In a Sydney Morning Herald article from 1982, “On Your Marks at Tempe Tip”, the scene is described in detail:
The waiting crowd is stacked impatiently behind a cyclone wire fence which heaves, stretches and sags with their weight. Promptly at 11, Charles H. Jolly, in a straw cowboy hat and a pink western shirt, opens the gates and stands back as a 200-strong crowd stampedes in search of cut-price treasure. The battle for a bargain at Tempe Tip, the Salvo’s Miroma thrift shop, is fiercer than the struggle at Harrod’s spring sale: people push, pull, scream and swear territorially over their secondhand goodies.
In the 1980s the Tempe Tip’s opening hours were 11am – 2:30 during the week, and on Saturdays what was described as a “brief, exciting” two hours from 7:30am to 9:30am. Another article describes how :
You had to be young, fit and wearing your running shoes to race people sprinting in to get the best bargains.
The Salvation Army first moved onto this land in 1909, and set up a Prison Gate Farm here, providing employment for newly-released prisoners. A plan for a piggery was approved by the council in 1909, despite the objections from the nearby bakery which worried that “any offensive odours floating about in the air were liable to find their way into the dough when it was in a state of ferment, and would be in the bread when baked”.
The farm activities wound down and the site became a secondhand goods market. The name Tempe Tip came and stuck, and is still the affectionate term for the op shop that is there today. The shop is a large, low warehouse, painted royal blue with red awnings.
Just beyond it is a view of the edge of the airport and planes moving slowly from their hangars. Trucks go past at all times of the day and night, carrying shipping containers back and forth from the terminal at the end of Swamp Road, through a landscape of shipping containers, pampas grass, and the tall yellow pylons that support the landing lights for the runway.
The first time I came to Tempe Tip was some time in the 1990s and I thought it a kind of op shop heaven. The scene inside was much calmer than the crush of waiting shoppers against the wire fence in the 1980s, but it was no less exciting to me, newly moved out of home. I bought armfuls of clothes, baskets of bric a brac and a big round coffee table, a metre and a half across, with a copper top carved with hieroglyphics. A friend of mine with a van, a goth who played in a Birthday-Party-esque band, helped me convey this enormous table home. I liked to imagine the 1970s lounge room this table had once been a part of, something that would be pictured in one of the kitsch home decorating guides that I also bought in abundance from the Tempe Tip.
As I approach the entrance, I notice a man waiting out the front of the op shop. He is wearing a leather jacket with a logo on the back for the “Raging Dads”. His friend, another Raging Dad with tattoos and long hair, leaves the store with an armful of clothes and they push off with their baby strollers, their shopping trip complete. Mine has only just begun. It has been some time since I’ve been to Tempe Tip, but it works its magic over me as ever.
The store has its own atmosphere with the roar of planes overhead, the giant industrial fans suspended from the ceiling, and people intently browsing. A man discusses a Willow patterned platter with his elderly mother, who is holding a plastic bag of balls of mauve wool. A woman sizes up ceramic dog figurines, turning them over to look for maker’s marks on the paws. In the furniture section people move from couch to couch, testing them for comfort. A man with a bum-bag slung across his body like a holster pushes a shopping trolley past me, its contents an insect zapper and books by Deepak Chopra.
In between the planes flying by overhead, and the jangling sound of someone going through the cutlery, the radio plays U2s “I Still Haven’t Found What I’m Looking For”. I keep looking. Tempe Tip will have it, even if I don’t know exactly what it is yet.